Essay --

People relate to landscape paintings through tactile and ocular experience of get ups around them, beneath their feet and in their hands. Textures are most straighta flair and close physical contact with the landscape. Ploughing, grazing, clearance create distinctive textures of surface, or so of them deliberately created for the properties of the texture itself. Textures incorporate time they are result of a slow but constant change of the very texture of surface. tellurian practices which might have a minimum impact on the surface peck in a long term combine to fix a distinctive textures. Aerial photographs and high resolution topographic information is full of textures. We tend to ignore them and focus solely on features, traces. What can we do with textures? How can they be harnessed for deciphering the biography of surfaces and the way good deal interacted with the land in close physical contact?In the modern, Western, orbit the visual sense has primacy over the oth er senses. Since sixteenth century, vision has rifle increasingly important in how we engage with and understand our creative activity, with the other senses marginalised. The visual became considered the most reliable form of representation. Archaeology, and especially aerial archaeology, has come to depose almost solely on vision for both the collection of entropy and the dissemination of information.Visual sense turns us into spectators, detached and distanced from the object of study. embellish becomes a particular way of seeing and representing the world from an elevated, detached and heretofore objective vantage point, --- as an artistic genre and a culturally conditioned habit of visual perception, unique to European, Western societies.In this way visual technologies (photographs,... ...worth exploring. Textures offer access into the richness and immediacy of the perceivable world and allow us to enmesh with it. When we turn the eye in the electronic organ of touch, we are able to see the stuff of landscape rather than its things. It is exceedingly subjective, embodied view of the world, but one that helps us to understands materiality of the landscape. hearthstone in the landscape is about the rich intimate, ongoing togetherness of beings and things which make up textures and which, over time, bind together nature and stopping point. Textures blur the nature/culture divide and emphasise the material and temporal nature of landscape. In this way, landscape is a never finished process of weaving, entanglement, of materials and activities. And they can perchance to help us to reflect what we really see when we interpret aerophotos and lidar imagery.